9/5 - 16/8 2015

Udstillingen præsenterer et habitat, hvor en række forskellige værker er skabt til den konkrete situation på det konkrete sted og finder en fælles form at ”leve” under for en tid. En situation, der aftegner måder at forholde sig til andre mennesker, rum, tid og sted på. 

The exhibition presents a habitat where various works are created for the specific situation at a specific place and find a common form to "live" in for a while. A situation that is emerging ways of relating to other people, space, time and place.

21/9 - 30/11 2014

Munkeruphus har inviteret SKULPTURI til at befolke Gunnar Aagaard Andersens gamle atelier og bolig med diverse skulpturelle objekter, der viser bredden af de enkelte medlemmers forskellige arbejdsmetoder og materialer, men som samtidig manifesterer gruppens fælles insisteren på hele tiden at udfordre og gentænke skulpturbegrebet. Ligesom den enkelte skulptur i sig selv agerer et møde eller et aktionsfelt, man som beskuer går i samtale med, så er de enkelte medlemmer i Skulpturi ikke kun til i sig selv og for sig selv. De går rundt om skulpturen sammen. Går i dialog og sætter benspænd for hinanden.

Munkeruphus has invited Skulpturi to populate the former studio and residence of Gunnar Aagaard Andersen with sculptural objects illustrating the scope of the various materials and working methods used by individual members. Simultaneously the exhibition manifests the group’s shared insistence on challenging the concept of sculpture. Just as each individual sculpture enacts a meeting or a field of action for the viewer to interact with in its own right, the members of Skulpturi do not exist solely in and of themselves. Together they circumnavigate the field of sculpture, entering into dialogue and occasionally tripping one another up.

26/4 - 22/5 2014

Udstillingen vises i fire rum på stribe, således at der dannes et forløb af skulptursituationer.  Med afsæt i en stram struktur, der tager udgangspunkt i ligeværdighed, er der installeret fire skulpturer i hvert rum. 

The exhibition is presented in four rooms that are situated in a row, with the result that a successive sequence of sculpture situations is established. Taking our mark in a rigorous structure, which in turn takes its point of departure in equilibrium, four sculptures are installed in each of the rooms.

21/4 – 3/6 2013

Gennem en række værker, der er beslægtede med arkitektur, installationskunst, design, performance kunst og landskabspleje, er fokus rettet mod forholdet til beskueren og hans / hendes daglige rum. I omfang matcher de enkelte værker udstillingsbygningens monumentale rum, men i kraft af deres sanselighed, deres tilstedeværelse og deres integritet, bliver den monumentale karakter undergravet og erstattet af interaktion og dialog.

Through a number of works that are kindred to architecture, installation art, design, performance art and landscaping, the focus is aimed at the relationship to the viewer and his/her everyday space. To be sure, the individual works, with respect to their scale, match the exhibition building’s monumental halls, but by virtue of their sensuousness, their presence and their integrity, monumental character is subverted and replaced by interaction and dialogue.

13/4 - 26/5 2013

Udstillingen vises i et næsten hermetisk lukket udstillingsrum i et hus tegnet af Henning Larsens Tegnestue. Et hus hvor kun et ovenlysvindue afslører, at naturen breder sig i alle retninger lige udenfor. Opfordringen til kunstnerne har været at arbejde med en skulptur, der forholder sig til gulvfladen og højst rager én meter op, dels for at skabe et panorama.

The exhibition is being shown in what is an almost hermetically sealed exhibition space inside a building designed by Henning Larsen Architects, a building where only a skylight offers any clue that nature is proliferating in every which way outside.The invitation to the artists has involved a call to work with a sculpture that relates to the floor and does not stand more than one meter in height for the purpose of creating a panorama.

12/2 - 12/3 2011

Med udgangspunkt i SKULPTURI’s "kælder-karakter" har Jørgen Carlo Larsen opført fire kælderinstallationsrum. Kælderen er et sted for opmagasinering og arkivering, men hos Larsen bliver den også et kropsligt værerum, et sted man kan trække sig tilbage til og slappe af i. Kælderen er det private, introverte lokale, i hvis dunkle hjørner der er plads til hemmelige historier og pludselige erindringer. Kunstnerens opvækst i 1950’ernes modernistiske miljø med husgerning, gør det selv-arbejde og samlermani fornægter sig ikke.

Taking its point of departure in SKULPTURI’s “basement-character”, Jørgen Carlo Larsen has erected four basement-installation spaces. The basement is a place for storing things and keeping archives but in Larsen’s work, it also becomes a physical space for being, a place where you can retreat to and relax in. The basement is the private, introverted room, in whose dark corners there are places for secret stories and unexpected memories. The artist’s upbringing in the 1950s’ modernist surroundings, with housework, do-it-yourself activities and collector’s mania is evident throughout.

7/2 - 28/2 2009

SKULPTURI er for en stund rykket ud af de vante københavnske omgivelser og ind i Produzentengalerie i Berlin med udstillingen ‘Long Way Home’. Udstillingen kan umiddelbart minde om en møbelbutik med et bredt udvalg af hverdagsobjekter. Funktionen er gået fløjten, og man er pludselig temmelig ‘langt hjemmefra’.

SKULPTURI have, for the time being, moved out from their familiar Copenhagen surroundings and into the Produzentengalerie in Berlin with an exhibition entitled Long Way Home. The exhibition can immediately call to mind a furniture store with a wide assortment of everyday objects. The function has gone kaput and suddenly you’re rather “a long way from home”.

4/5 — 29/6 2008

SKULPTURI indtager lejlighedskomplekset og P-huset ‘VM-Bjerget’ i Ørestad med installationer i fire af lejlighederne. Således sættes der anderledes fokus på nybyggeriet, der er tegnet af arkitekt Bjarke Ingels.

SKULPTURI takes up residence inside the apartment complex and parking garage, “VM-Bjerget” in Ørestad, with installations set up in four of the apartments. In this way, a different kind of focus is pointed at the new building development, which was designed by the architect, Bjarke Ingels.

8/3 – 13/4 2008

Udstillingen kaster lys over dansk processuel skulptur fra 1960’erne til i dag. Samtidsskulpturens procesfokus sættes dermed i et større perspektiv og giver plads til refleksion over flere billedhugger- generationers praksisform.

The exhibition sheds light on Danish processual sculpture as it has evolved from the 1960s up until today. Contemporary sculpture’s processual focus is, in this way, being set into a wider perspective; this provides room for reflection on several sculptor-generations’ form of praxis. 

17/11 2007 – 12/1 2008

SKULPTURI er det første udstillingssted i Danmark udelukkende dedikeret til samtidsskulpturen. SKULPTURI’s målsætning er at vise den bredde og rigdom, der gør sig gældende indenfor skulpturarbejdet i dag både i Danmark og internationalt. Åbningsudstillingen er en hyldest til skulpturen i alle dens forskellige udtryksformer, til en genre i vedvarende udvikling og med en fortsat vedkommende indfaldsvinkel til verden. 

SKULPTURI is the first exhibition place in Denmark that is exclusively dedicated to contemporary. SKULPTURI’s objective is to show the breadth and richness that manifest themselves within sculptural work today — both in Denmark and internationally. The opening exhibition is a tribute to sculpture in all of its various forms of expression, to a genre in ongoing development and with a continually relevant approach to the world.