Til udstillingen bidrager over 60 kunstnere med hver ét værk — en multiple — i mindst tre editioner. SKULPTURI er for en stund omdannet til et kunstsupermarked, hvor det samme værk — eller den samme ‘vare’ — kan erhverves af flere forskellige købere. Værkerne står side om side på reoler og værkfortegnelsen er udskiftet med en vareliste. Udstillingen gør op med kunstverdenens højtskattede idé om det auratiske unikaværk og lader i stedet kunst og hverdagsliv flette sig ind i hinanden.

For the exhibition, more than 60 artists have been asked to contribute one work each — a multiple – in an edition of at least three copies. For the time being, SKULPTURI is converted into an art supermarket, where the same work — or the same “commodity” — can be acquired by several different buyers. The exhibition settles its own accounts with the art world’s cherished idea about the aura-swathed unique work and allows, instead, art and everyday life to become interspersed with one another.

Udstillingen kaster lys over dansk processuel skulptur fra 1960’erne til i dag. Samtidsskulpturens procesfokus sættes dermed i et større perspektiv og giver plads til refleksion over flere billedhugger- generationers praksisform.

The exhibition sheds light on Danish processual sculpture as it has evolved from the 1960s up until today. Contemporary sculpture’s processual focus is, in this way, being set into a wider perspective; this provides room for reflection on several sculptor-generations’ form of praxis.