9/5 - 16/8 2015

Udstillingen præsenterer et habitat, hvor en række forskellige værker er skabt til den konkrete situation på det konkrete sted og finder en fælles form at ”leve” under for en tid. En situation, der aftegner måder at forholde sig til andre mennesker, rum, tid og sted på. 

The exhibition presents a habitat where various works are created for the specific situation at a specific place and find a common form to "live" in for a while. A situation that is emerging ways of relating to other people, space, time and place.

21/9 - 30/11 2014

Munkeruphus har inviteret SKULPTURI til at befolke Gunnar Aagaard Andersens gamle atelier og bolig med diverse skulpturelle objekter, der viser bredden af de enkelte medlemmers forskellige arbejdsmetoder og materialer, men som samtidig manifesterer gruppens fælles insisteren på hele tiden at udfordre og gentænke skulpturbegrebet. Ligesom den enkelte skulptur i sig selv agerer et møde eller et aktionsfelt, man som beskuer går i samtale med, så er de enkelte medlemmer i Skulpturi ikke kun til i sig selv og for sig selv. De går rundt om skulpturen sammen. Går i dialog og sætter benspænd for hinanden.

Munkeruphus has invited Skulpturi to populate the former studio and residence of Gunnar Aagaard Andersen with sculptural objects illustrating the scope of the various materials and working methods used by individual members. Simultaneously the exhibition manifests the group’s shared insistence on challenging the concept of sculpture. Just as each individual sculpture enacts a meeting or a field of action for the viewer to interact with in its own right, the members of Skulpturi do not exist solely in and of themselves. Together they circumnavigate the field of sculpture, entering into dialogue and occasionally tripping one another up.

26/4 - 22/5 2014

Udstillingen vises i fire rum på stribe, således at der dannes et forløb af skulptursituationer.  Med afsæt i en stram struktur, der tager udgangspunkt i ligeværdighed, er der installeret fire skulpturer i hvert rum. 

The exhibition is presented in four rooms that are situated in a row, with the result that a successive sequence of sculpture situations is established. Taking our mark in a rigorous structure, which in turn takes its point of departure in equilibrium, four sculptures are installed in each of the rooms.

21/4 – 3/6 2013

Gennem en række værker, der er beslægtede med arkitektur, installationskunst, design, performance kunst og landskabspleje, er fokus rettet mod forholdet til beskueren og hans / hendes daglige rum. I omfang matcher de enkelte værker udstillingsbygningens monumentale rum, men i kraft af deres sanselighed, deres tilstedeværelse og deres integritet, bliver den monumentale karakter undergravet og erstattet af interaktion og dialog.

Through a number of works that are kindred to architecture, installation art, design, performance art and landscaping, the focus is aimed at the relationship to the viewer and his/her everyday space. To be sure, the individual works, with respect to their scale, match the exhibition building’s monumental halls, but by virtue of their sensuousness, their presence and their integrity, monumental character is subverted and replaced by interaction and dialogue.

13/4 - 26/5 2013

Udstillingen vises i et næsten hermetisk lukket udstillingsrum i et hus tegnet af Henning Larsens Tegnestue. Et hus hvor kun et ovenlysvindue afslører, at naturen breder sig i alle retninger lige udenfor. Opfordringen til kunstnerne har været at arbejde med en skulptur, der forholder sig til gulvfladen og højst rager én meter op, dels for at skabe et panorama.

The exhibition is being shown in what is an almost hermetically sealed exhibition space inside a building designed by Henning Larsen Architects, a building where only a skylight offers any clue that nature is proliferating in every which way outside.The invitation to the artists has involved a call to work with a sculpture that relates to the floor and does not stand more than one meter in height for the purpose of creating a panorama.

25/2 - 31/3 2012

Til udstillingen bidrager over 60 kunstnere med hver ét værk — en multiple — i mindst tre editioner. SKULPTURI er for en stund omdannet til et kunstsupermarked, hvor det samme værk — eller den samme ‘vare’ — kan erhverves af flere forskellige købere. Værkerne står side om side på reoler og værkfortegnelsen er udskiftet med en vareliste. Udstillingen gør op med kunstverdenens højtskattede idé om det auratiske unikaværk og lader i stedet kunst og hverdagsliv flette sig ind i hinanden.

For the exhibition, more than 60 artists have been asked to contribute one work each — a multiple – in an edition of at least three copies. For the time being, SKULPTURI is converted into an art supermarket, where the same work — or the same “commodity” — can be acquired by several different buyers. The exhibition settles its own accounts with the art world’s cherished idea about the aura-swathed unique work and allows, instead, art and everyday life to become interspersed with one another.

20/3 – 17/4 2010

Proceskarakteren betyder, at man tydeligt kan se, hvordan Veo Friis Jespersens nye skulpturer er lavet, hvordan materialerne er føjet sammen. Skulpturerne er sammensætninger af simple materialer, åbne processer og fysiske handlinger. Bevægelser, der medfører nye erfaringer af rummet, lyset og tyngdekraften.

The processual character of Veo Friis Jespersen’s new sculptures entails that you can clearly see how the sculptures have been made. The sculptures are montages of different “poor” materials, processes and physical actions that shift the fundamentals of architecture around and rephrase basic physical questions like: What is gravity? What is light? What is carrying and what is being carried?

7/2 - 28/2 2009

SKULPTURI er for en stund rykket ud af de vante københavnske omgivelser og ind i Produzentengalerie i Berlin med udstillingen ‘Long Way Home’. Udstillingen kan umiddelbart minde om en møbelbutik med et bredt udvalg af hverdagsobjekter. Funktionen er gået fløjten, og man er pludselig temmelig ‘langt hjemmefra’.

SKULPTURI have, for the time being, moved out from their familiar Copenhagen surroundings and into the Produzentengalerie in Berlin with an exhibition entitled Long Way Home. The exhibition can immediately call to mind a furniture store with a wide assortment of everyday objects. The function has gone kaput and suddenly you’re rather “a long way from home”.

26/4– 24/5 2008

Københavns byrum undergår i disse år store forandringer. Havnefront, Ørestad, byfornyelse og kvarterløft er nøgleord i den offentlige debat — men hvor er kunsten blevet af? Projekterne, der skal ses som idéoplæg, har fokus på hovedstadens offentlige rum, hvor det skulpturelle element kan finde god plads og anvendelse.

In these years, Copenhagen’s urban spaces are undergoing major changes. Ørestad, urban renewal and neighborhood lift programs are key words in the public debate — but what’s happened to the art? The exhibited projects, which have to be regarded as draft proposals, have their focus on the capital city’s public spaces, where the sculptural element can find plenty of room and application. 

17/11 2007 – 12/1 2008

SKULPTURI er det første udstillingssted i Danmark udelukkende dedikeret til samtidsskulpturen. SKULPTURI’s målsætning er at vise den bredde og rigdom, der gør sig gældende indenfor skulpturarbejdet i dag både i Danmark og internationalt. Åbningsudstillingen er en hyldest til skulpturen i alle dens forskellige udtryksformer, til en genre i vedvarende udvikling og med en fortsat vedkommende indfaldsvinkel til verden. 

SKULPTURI is the first exhibition place in Denmark that is exclusively dedicated to contemporary. SKULPTURI’s objective is to show the breadth and richness that manifest themselves within sculptural work today — both in Denmark and internationally. The opening exhibition is a tribute to sculpture in all of its various forms of expression, to a genre in ongoing development and with a continually relevant approach to the world.