29/06 2012

Skulpturi.dk lukker som et fast udstillingssted. Det markerer vi ved, at holde en fest fredag den 29. juni med en lang række indslag af forskellige kunstnere. Aftenen vil byde på alt fra lyrikoplæsning over improvisationsmusik til mad-performance af Madeleine's Madteater.

Skulpturi.dk closes down as a permanent exhibition venue. We mark the occasion with a party the 29. of June encompassing a large number of events from several different artists. During the night we had various poetry-readings, musical performances and the dinner was orchestrated by the Madeleines Food Theatre.

8/1 – 5/2 2011

Rosemaria Rex har kurateret en udstilling med fokus på værker, der placerer sig i spændingsfeltet mellem skulptur og fotografi, 2D og 3D, et immaterielt og et konkret rum. Begge medier tager del i tiden — det sker dog på meget forskellig vis. Sammenstillingen af objekt og flade åbner for et tredje,imaginært rum, hvor både billede og fysisk genstand antager nye betydninger — og en ‘tredje tid’, hvori lineære, ‘rationelle’ forløb er erstattet af overlappende eller accelererede tidsafsnit.

Rosemaria Rex has curated an exhibition that focuses on artworks which situate themselves in the field of potential lying between sculpture and photography, between 2D and 3D, between an immaterial and a concrete space. Both mediums take an active part in time — this transpires, though, in very different ways. The juxtaposition of object and surface opens up for a third, imaginary space and a “third time”, in which linear, “rational” progression has been replaced by overlapping or accelerated periods of time.

1/11 – 29/11 2008

Inspirationskilden er Marcel Duchamps tekst ‘The Creative Act’ fra 1957, der er et forsøg på at indtænke intentionens betydning i oplevelsen af kunst. Udover et antal fysiske værker er billedkunstnerne Claus Carstensen og Maria Finn inviteret til at forholde sig sprogligt til Duchamps tekst og dens romantiske pointe: at kunstnerens intention med værket udspiller sig på et intuitivt plan, og at værkets betydning dermed er afhængig af beskuerens erfaringer og fortolkninger.

The source of inspiration is Marcel Duchamp's text, The Creative Act, from 1957, which constitutes an attempt to think the importance of intention right into the experience of art.In addition to coming up with a number of physical works, the artists Claus Carstensen and Maria Finn were invited to address themselves linguistically to Duchamp's text and its romantic point: that the artist's intention with the work plays itself out on an intuitive level, and that the work's meaning is thus dependent on the viewer's experiences and interpretations.